Surrealist films
Main article: List of surrealist films

Early films by Surrealists include:

* Entr'acte by René Clair (1924)
* La Coquille et le clergyman by Germaine Dulac, screenplay by Antonin Artaud (1928)
* L'Étoile de mer by Man Ray (1928)
* Un chien andalou by Luis Buñuel and Salvador Dalí (1929)
* L'Âge d'Or by Buñuel and Dalí (1930)
* Le sang d'un poète by Jean Cocteau (1930)

[edit] Music by Surrealists
Main article: Surrealist music

In the 1920s several composers were influenced by Surrealism, or by individuals in the Surrealist movement. Among them were Bohuslav Martinů, André Souris, and Edgard Varèse, who stated that his work Arcana was drawn from a dream sequence.[citation needed] Souris in particular was associated with the movement: he had a long relationship with Magritte, and worked on Paul Nouge's publication Adieu Marie.

Germaine Tailleferre of the French group Les Six wrote several works which could be considered to be inspired by Surrealism[citation needed], including the 1948 Ballet Paris-Magie (scenario by Lise Deharme), the Operas La Petite Sirène (book by Philippe Soupault) and Le Maître (book by Eugène Ionesco).[citation needed] Tailleferre also wrote popular songs to texts by Claude Marci, the wife of Henri Jeanson, whose portrait had been painted by Magritte in the 1930s.

Even though Breton by 1946 responded rather negatively to the subject of music with his essay Silence is Golden, later Surrealists, such as Paul Garon, have been interested in—and found parallels to—Surrealism in the improvisation of jazz and the blues. Jazz and blues musicians have occasionally reciprocated this interest. For example, the 1976 World Surrealist Exhibition included performances by "Honeyboy" Edwards.